B6 — B, D♯, F♯, G♯ — is a B major triad with an added major sixth. The chord uses four sharps. It's enharmonic to G♯ minor 7 and appears in jazz tunes transposed to B major for vocal range.
Intervals
The B major 6 chord stacks two thirds on the root. Each interval and its size in semitones:
- B→D#major 3rd4 semitones
- D#→F#minor 3rd3 semitones
- F#→G#major 2nd2 semitones
On the keyboard
Each note of the B major 6 chord highlighted on a piano. Pitch class is what matters — any octave works.
On the guitar
One voicing of the B major 6 chord on a six-string guitar fretboard.
- 1B
- 3D#
- 5F#
- 6G#
Common mistakes
B6 has G♯ as its sixth — a half-step lower than Bmaj7 (which has A♯). On guitar, B6 is typically a 2nd-fret A-shape barre with the standard voicing adjusted.
In context
B6 is the I chord in B major (often used as a softer tonic). Jazz tunes transposed to B for vocal range often resolve to B6 at final cadences. The chord also serves as the IV in F♯ major.
Drill it
The B major 6 chord is one of 48 in the Chord Trainer. Open the full trainer to practice it alongside related chords with timing and best-time tracking.
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Frequently asked
- What notes are in a B6 chord?
- B6 contains four notes: B (root), D♯ (major third), F♯ (perfect fifth), and G♯ (major sixth).
- Is B6 the same as G♯ minor 7?
- Enharmonically yes — same four pitches. B6 has B as root (major tonic); G♯m7 has G♯ as root (minor 7th).
- How is B6 different from Bmaj7?
- Only the top note changes. B6 has G♯ (major sixth); Bmaj7 has A♯ (major seventh). B6 sounds softer.
- When does B6 appear in music?
- In jazz tunes transposed to B major for vocal range, in F♯-major arrangements (as the IV), and in late-Romantic classical music as a chromatic colour.